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Facebook, by comparison, appears only briefly in a few shots of the food truck’s home page.Ĭontrary to how it might look, however, Twitter paid nothing to appear in the film. There’s also a scene in which Carl’s son teaches him what Vine is - the Twitter-owned micro-video platform. When they decide to send it, the company’s bird logo flies off the screen, accompanied by a birdlike whistling sound - a literal tweet.Īs word of the sandwich truck spreads and long lines begin to form, Twitter thought bubbles cluster everywhere, little bird logos flying off in all directions not since Disney’s Song of the South have flesh-and-blood actors been forced to share the screen with this many animated critters.
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“So I was able to do some fun things with it graphically to encapsulate what it really feels like.” The solution: An animated Twitter field pops up above a character as they consider a tweet, kind of like a thought bubble. “I got some effects chops from my day job,” he said, referring to his work on CGI-heavy blockbusters. To make all this thumb-typing a little more visually stimulating, Favreau devised a visual cue for each time a character tweets. Q&A: Jon Favreau Says ‘Chef’ Marks Return to ‘Swingers’-Style Filmmaking But where Twitter can destroy careers it can also re-launch them, and so, with the help of his social-media-savvy son, Carl soon harnesses the power of Twitter to turn his pressed sandwiches into a nationwide phenomenon. So when Carl loses his cool over a scathing review that “goes viral” (shades of the New York Times‘ review of Guy Fieri’s Times Square restaurant), he trash-talks the critic on Twitter, leading to a very public confrontation, which too goes viral.
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Today, the equivalent of that kind of social faux pas is the dreaded Twitter meltdown.
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He was referring to a scene in the 1996 comedy in which his character leaves a series of increasingly cringe-worthy messages on the answering machine of a woman he meets in a bar. “I didn’t think social media would be part of it, but kind of like how in Swingers the answering machine became part of the language, just because that was our lives, this is what our lives are now,” Favreau, 47, said during a question-and-answer session following the premiere.